The fear that human beings will be displaced by some other species has
been a major them in many science fiction stories.  Usually this
usurping power comes from outer space, although occasionally it is
home-grown.

Pierre Boulle’s
Planet of the Apes is a representative example of the
genre, a classic account of  homo sapiens finding themselves losers in
the Darwinian struggle for superiority.  Boulle’s experiences as a
prisoner of war in World War II no doubt contribute to the ethos of this
work. (And it may be worth noting that this author’s other famous
book,
The Bridge Over the River Kwai, is one of the great POW stories
of all time.)

But Clifford Simak takes this familiar theme, and turns it on its head.  
The world of
City is run by dogs.  But instead of depicting them as vile
usurprers—as we have come to expect in books of this sort—Simak
makes them into nostalgic, tender-hearted creatures who miss the
“good old days” when a dog was man’s best friend.  Simak plays on all
the positive canine traits of loyalty, dependability, protectiveness and
affection in creating his kennel of characters.  

City is less a novel than a series of interlocking stories.  In toto, they
represent chapters from the mythology and
folk tales of the ancient race of men, as pre-
served by the dogs.   Simak, with surprising
deconstructive flair,  even offers notes from
the canine editors, who sometimes struggle
to understand the tales of humans that have
been passed down to them, paw to paw,
through the ages.  

Simak uses this framing device to show how
humans lost their edge, moving away from
the cities when the spread of family air
transports allowed them to live in more
isolated rural areas.   The sociological models here are fuzzy and
unconvincing, and the human characters in the book fairly one
dimensional.  Yet the book compensates for these limitations through
its conceptual originality, sketching man-and-dog symbiotic
relationships beyond the wildest dreams of Lassie or Rin-Tin-Tin.

Bruce Webster is an especially cherished human in this folklore.  He
made the surgical modifications that allowed dogs to speak (although
with a bit of a Scooby Do lisp),  and later generations of Websters
become so important in the canine imagination that homo sapiens come
to be called websters.  Into this mix, Simak tosses in other characters—
dogs, robots, mutants and even some very smart ants.  

This book is more noteworthy for its individual parts than for its
overall coherence.  I can’t help thinking that Simak took several
different story ideas, and tried to force them together into a single
narrative.  Some of the best parts of the book—for example, an
interesting interlude focusing on a scientist and his dog on Jupiter—
could have worked just as well as a short story, and the attempt to fuse
them into an over-arching plot seems strained.  

Nonetheless, this is an inventive book, with no shortage of interesting
twists and turns.  The pacing and constant plot shift keep
City
interesting, and while this may not be the great sci-fi masterpiece that
some have made it, it will continue to charm readers.  Especially those
who buy dog-food in bulk.
City

by Clifford Simak

Reviewed by Ted Gioia
conceptual
fiction
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Conceptual Fiction:
A Reading List
(with links to reviews)

Home Page

Abbott, Edwin A.
Flatland

Adams, Douglas
The Hitchhiker's Guide to the Galaxy

Allende, Isabel
The House of the Spirits

Amis, Martin
Time's Arrow

Asimov, Isaac
The Foundation Trilogy

Asimov, Isaac
I, Robot

Atwood, Margaret
The Handmaid's Tale

Banks, Iain M.
The State of the Art

Ballard, J.G.
Crash

Ballard, J.G.
The Crystal World

Bester, Alfred
The Demolished Man

Bradbury, Ray
Dandelion Wine

Bradbury, Ray
Fahrenheit 451

Bradbury, Ray
The Illustrated Man

Bradbury, Ray
The Martian Chronicles

Bradbury, Ray
Something Wicked This Way Comes

Burgess, Anthony
A Clockwork Orange

Card, Orson Scott
Ender's Game

Chabon, Michael
The Yiddish Policemen's Union

Chiang, Ted
Stories of Your Life and Others

Clarke, Arthur C.
Childhood's End

Clarke, Arthur C.
A Fall of Moondust

Clarke, Arthur C.
2001: A Space Odyssey

Clarke, Susanna
Jonathan Strange & Mr Norrell

Danielewski, Mark Z.
House of Leaves

Dick, Philip K.
Flow My Tears, the Policeman Said

Dick, Philip K.
The Man in the High Castle

Dick, Philip K.
Ubik

Doctorow, Cory
Down and Out in the Magic Kingdom

Gaiman, Neil
American Gods

Gibson, William
Burning Chrome

Gibson, William
Neuromancer

Haldeman, Joe
The Forever War

Hall, Steven
The Raw Shark Texts

Harrison, M. John
Light

Heinlein, Robert
The Moon is a Harsh Mistress

Heinlein, Robert:
Stranger in a Strange Land

Heinlein, Robert
Time Enough for Love

Herbert, Frank
Dune

Huxley, Aldous
Brave New World

Le Guin, Ursula K.
The Lathe of Heaven

Le Guin, Ursula K.
The Left Hand of Darkness

Leiber, Fritz
The Big Time

Leiber, Fritz
Conjure Wife

Leiber, Fritz
Swords & Deviltry

Leiber, Fritz
The Wanderer

Lem, Stanislaw
His Master's Voice

Lem, Stanislaw
Solaris

Lethem, Jonathan
The Fortress of Solitude

Lewis, C. S.
The Chronicles of Narnia

Márquez, Gabriel García
100 Years of Solitude

McCarthy, Cormac
The Road

Miéville, China
Perdido Street Station

Miller, Jr., Walter M.
A Canticle for Leibowitz

Mitchell, David
Cloud Atlas

Niffenegger, Audrey
The Time Traveler's Wife

Niven, Larry
Ringworld

Noon, Jeff
Vurt

Okri, Ben
The Famished Road

Pohl, Frederik
Gateway

Pynchon, Thomas
Gravity's Rainbow

Robinson, Kim Stanley
Red Mars

Rowling, J.K.
Harry Potter & the Sorcerer's Stone

Rushdie, Salman
Midnight's Children

Saramago, José
Blindness

Shelley, Mary
Frankenstein

Silverberg, Robert
Dying  Inside

Silverberg, Robert
Nightwings

Simak, Clifford
City

Simak, Clifford
The Trouble with Tycho

Smith, Cordwainer
Norstrilia

Smith, Cordwainer
The Rediscovery of Man

Stephenson, Neal
Snow Crash

Stross, Charles
Glasshouse

Sturgeon, Theodore
More Than Human

Sturgeon, Theodore
Some of Your Blood

Updike, John
The Witches of Eastwick

Van Vogt, A.E.
The World of Null A

Verne, Jules:
Around the Moon

Verne, Jules:
From the Earth to the Moon

Verne, Jules:
Journey to the Center of the Earth

Wallace, David Foster
Infinite Jest

Wells, H.G.
The First Men in the Moon

Wells, H.G.
The Island of Dr. Moreau

Wells, H.G.
The Time Machine

Zelazny, Roger
Lord of Light



Special Features
Notes on Conceptual Fiction
Ray Bradbury: A Tribute
Remembering Fritz Leiber
Curse You, Neil Armstrong!
Robert Heinlein at 100


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Ted Gioia's web site


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The Misread City
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