Noon is endlessly inventive in this story.  From a purely conceptual level, he
succeeds brilliantly in constructing a macro- and micro-level environment that is
vividly realized and full of surprising attributes.  He is almost as good in creating a
cast of bizarre yet sympathetic characters – Scribble the
narrator with some bad serious bad karma; his mentor
and half-crazed buddy The Beetle; Mandy the new girl
with a bad attitude; Tristan the rasta-Vurtian whose
dreadlocks are permanently braided into the matching
hairdo of his girlfriend Suze; Twinkle the twelve year-old
as tough as a roller derby queen; and my favorite, the
Game Cat who knows all the secrets of virtual reality,
and sometimes tosses out a helpful hint.  

But Noon’s prose is as vivid as his characters.  He has
crafted his own crypto-punk-adelic style of writing,
sort of like what Kerouac might have done if he had
traveled a virtual road rather than a real highway.   Noon invents his own hyped-up
jargon, but it is close enough to what druggies and posers say in everyday life to
make it seem all so real.  His sentences are punchy, and move with a very
distinctive rhythm.  I can imagine this making a great audio-book – or a mega-
movie.

Other hip sci-fi writers –  William Gibson, Neal Stephenson, Orson Scott Card –
may be better known, but Noon’s name is not out-of-place in this group.  At a time
when most genre writers are re-heating the same left-overs, this author shows that
there are new stories out there for authors brave and bold enough to seize them.  
Modern day Luddites have often complained that virtual reality
is like a drug.  But in Jeff Noon’s novel
Vurt, it is a drug, imbibed
by means of feathers that the addicts use to tickle the back of
their throats.  Say “Aaaahhhhhh!’ and go on a journey to some
elaborate and dream-like world – either by yourself, or (through
sharing feathers) with your cronies.
Noon has constructed a whole Vurt culture and a hierarchy of feathers,
some legal and easily obtained, others forbidden and almost impossible to
find.  At the highest level are the yellow feathers, both highly desirable and
very dangerous.  Many people never return from yellow feather trips, since
the only was of getting out of its virtual reality is by winning the game it
brings on, or die trying.   But there are also many types of blue, silver and
black feathers, each with their own quirks and qualities.
conceptual fiction

[kuhn-SEP-choo-uhl FIK-shuhn]

Noun:   Storytelling raised to a higher degree through
artful reconfiguration of the reader's sense of reality.
Vurt by Jeff Noon

Reviewed by Ted Gioia
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Conceptual
Fiction:
A Reading List
(with links to reviews)

Home Page

Abbott, Edwin A.
Flatland

Adams, Douglas
The Hitchhiker's Guide to
the Galaxy

Amis, Martin
Time's Arrow

Asimov, Isaac
The Foundation Trilogy

Asimov, Isaac
I, Robot

Atwood, Margaret
The Handmaid's Tale

Banks, Iain M.
The State of the Art

Ballard, J.G.
Crash

Ballard, J.G.
The Crystal World

Bester, Alfred
The Demolished Man

Bradbury, Ray
Dandelion Wine

Bradbury, Ray
Fahrenheit 451

Bradbury, Ray
The Illustrated Man

Bradbury, Ray
The Martian Chronicles

Bradbury, Ray
Something Wicked This
Way Comes

Burgess, Anthony
A Clockwork Orange

Card, Orson Scott
Ender's Game

Chabon, Michael
The Yiddish Policemen's
Union

Chiang, Ted
Stories of Your Life and
Others

Clarke, Arthur C.
Childhood's End

Clarke, Arthur C.
A Fall of Moondust

Clarke, Arthur C.
2001: A Space Odyssey

Clarke, Susanna
Jonathan Strange & Mr
Norrell

Danielewski, Mark Z.
House of Leaves

Dick, Philip K.
Flow My Tears, the
Policeman
Said

Dick, Philip K.
The Man in the High Castle

Dick, Philip K.
Ubik

Doctorow, Cory
Down and Out in the Magic
Kingdom

Gaiman, Neil
American Gods

Gibson, William
Burning Chrome

Gibson, William
Neuromancer

Haldeman, Joe
The Forever War

Hall, Steven
The Raw Shark Texts

Harrison, M. John
Light

Heinlein, Robert
The Moon is a Harsh
Mistress

Heinlein, Robert:
Stranger in a Strange Land

Heinlein, Robert
Time Enough for Love

Herbert, Frank
Dune

Huxley, Aldous
Brave New World

Le Guin, Ursula K.
The Lathe of Heaven

Le Guin, Ursula K.
The Left Hand of Darkness

Leiber, Fritz
The Big Time

Leiber, Fritz
Conjure Wife

Leiber, Fritz
Swords & Deviltry

Leiber, Fritz
The Wanderer

Lem, Stanislaw
His Master's Voice

Lem, Stanislaw
Solaris

Lethem, Jonathan
The Fortress of Solitude

Lewis, C. S.
The Chronicles of Narnia

Márquez, Gabriel García
100 Years of Solitude

McCarthy, Cormac
The Road

Miéville, China
Perdido Street Station

Miller, Jr., Walter M.
A Canticle for Leibowitz

Mitchell, David
Cloud Atlas

Niffenegger, Audrey
The Time Traveler's Wife

Niven, Larry
Ringworld

Noon, Jeff
Vurt

Okri, Ben
The Famished Road

Pohl, Frederik
Gateway

Pynchon, Thomas
Gravity's Rainbow

Robinson, Kim Stanley
Red Mars

Rowling, J.K.
Harry Potter & the
Sorcerer's Stone

Saramago, José
Blindness

Shelley, Mary
Frankenstein

Silverberg, Robert
Dying  Inside

Silverberg, Robert
Nightwings

Simak, Clifford
City

Simak, Clifford
The Trouble with Tycho

Smith, Cordwainer
Norstrilia

Smith, Cordwainer
The Rediscovery of Man

Stephenson, Neal
Snow Crash

Stross, Charles
Glasshouse

Sturgeon, Theodore
More Than Human

Sturgeon, Theodore
Some of Your Blood

Van Vogt, A.E.
The World of Null A

Verne, Jules:
Around the Moon

Verne, Jules:
From the Earth to the
Moon

Verne, Jules:
Journey to the Center of
the Earth

Wallace, David Foster
Infinite Jest

Wells, H.G.
The First Men in the Moon

Wells, H.G.
The Island of Dr. Moreau

Wells, H.G.
The Time Machine

Zelazny, Roger
Lord of Light



Special Features
Notes on Conceptual
Fiction
Ray Bradbury: A Tribute
Remembering Fritz Leiber
Curse You, Neil
Armstrong!
Robert Heinlein at 100


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