Noon is endlessly inventive in this story.  From a purely conceptual level, he
succeeds brilliantly in constructing a macro- and micro-level environment that is
vividly realized and full of surprising attributes.  He is almost as good in creating a
cast of bizarre yet sympathetic characters – Scribble the
narrator with some bad serious bad karma; his mentor
and half-crazed buddy The Beetle; Mandy the new girl
with a bad attitude; Tristan the rasta-Vurtian whose
dreadlocks are permanently braided into the matching
hairdo of his girlfriend Suze; Twinkle the twelve year-old
as tough as a roller derby queen; and my favorite, the
Game Cat who knows all the secrets of virtual reality,
and sometimes tosses out a helpful hint.  

But Noon’s prose is as vivid as his characters.  He has
crafted his own crypto-punk-adelic style of writing,
sort of like what Kerouac might have done if he had
traveled a virtual road rather than a real highway.   Noon invents his own hyped-up
jargon, but it is close enough to what druggies and posers say in everyday life to
make it seem all so real.  His sentences are punchy, and move with a very
distinctive rhythm.  I can imagine this making a great audio-book – or a mega-
movie.

Other hip sci-fi writers –  William Gibson, Neal Stephenson, Orson Scott Card –
may be better known, but Noon’s name is not out-of-place in this group.  At a time
when most genre writers are re-heating the same left-overs, this author shows that
there are new stories out there for authors brave and bold enough to seize them.  
Modern day Luddites have often complained that virtual reality
is like a drug.  But in Jeff Noon’s novel
Vurt, it is a drug, imbibed
by means of feathers that the addicts use to tickle the back of
their throats.  Say “Aaaahhhhhh!’ and go on a journey to some
elaborate and dream-like world – either by yourself, or (through
sharing feathers) with your cronies.
Noon has constructed a whole Vurt culture and a hierarchy of feathers,
some legal and easily obtained, others forbidden and almost impossible to
find.  At the highest level are the yellow feathers, both highly desirable and
very dangerous.  Many people never return from yellow feather trips, since
the only was of getting out of its virtual reality is by winning the game it
brings on, or die trying.   But there are also many types of blue, silver and
black feathers, each with their own quirks and qualities.
conceptual fiction

[kuhn-SEP-choo-uhl FIK-shuhn]

Noun:   Storytelling raised to a higher degree through
artful reconfiguration of the reader's sense of reality.
Vurt by Jeff Noon

Reviewed by Ted Gioia
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