The Yiddish Policemen's Union

by Michael Chabon

Reviewed by Ted Gioia

Michael Chabon’s
The Yiddish Policemen’s Union is a strange, brilliant book
that readers will find difficult to classify. Is it a Zionist Da Vinci Code? A work
of alternative reality in the manner of
Philip K. Dick? A hard-boiled mystery
novel? A grand literary effort in the high style? It is, in fact, all these things,
and more.

Twelve years ago,
The Washington Post
dubbed Michael Chabon as “the young
star of American letters.” Chabon, who
turns forty-four in a few days, has lived
up to the early hype. Since the dawn of
the millennium, he has seen his
Wonder
Boys
made into a movie with Michael
Douglas, and won the 2001 Pulitzer Prize
for his novel
The Amazing Adventures of
Kavalier and Clay. Along the way, he turned
down a chance to appear in a Gap ad, and
sent
People magazine packing when they
wanted to place him on their list of the
“50 Most Beautiful People.” (And who
says that serious novelists don’t lead
glamorous lives?)

Now Chabon has treated his fans with a new novel that will rank among his
finest works. Imagine, for a moment, that Franklin Roosevelt had responded
to the plight of European Jews by setting aside part of Alaska as a homeland
for the Diaspora. This intriguing premise is Chabon’s starting point for
The
Yiddish Policemen’s Union
– a mind-bending game of what-if similar to Philip
Roth’s recent literary effort to re-imagine America if Lindbergh had been
elected President in 1940, or Dick’s depiction of the United States in the
aftermath of a defeat in World War II.

Chabon takes delight in his alternative Alaska, and lovingly describes all the
small details -- food, fashion, ritual, place names and the like -- in a playful,
ingenious manner. Occasionally, he lets a few other snippets of alternative
history escape in a passing mention, referring to the first lady Marilyn
Monroe Kennedy or a Vietnam-like war in Cuba.

But this imaginative reconstruction of a Jewish Alaska is merely the backdrop
for a intricately plotted mystery, which is the second layer in Chabon’s
multifaceted novel. Down-and-out detective Meyer Landsman finds a dead
body in his skid-row hotel, and is determined to track down the murderer,
despite warnings from higher-ups that this is a case that he should not
investigate.

The clues he assembles are odd ones. Chess pieces are arrayed in a peculiar
endgame position near the body. The deceased lived under different aliases,
all drawn from famous chess players in the past. And the victim’s life is as
puzzling as his death – some saw him as a pathetic junkie, others as the
potential leader of a messianic cult.

The third layer of the plot brings us into the realm of the
The Da Vinci Code,
where conspiracies and secretive organizations and two millennia of arcane
history emerge as provocative undercurrents in the story. Yet Chabon brings
all these elements together, seamlessly telling his tale on several different
levels. And, as always with Chabon, the entire book is meticulously written.
Chabon writes with great intelligence and creativity, page by page, paragraph
by paragraph, even sentence by sentence.  By any measure,
The Yiddish
Policemen’s Union
is a significant work by one of America’s finest novelists, a
whimsical whodunit with a double dose of literary flare.
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